One of the cornerstones of the artistic revolution wrought by the impressionist painters of the late 19th century was the deliberate juxtaposition of complementary colors.
Read more >>In my first two posts in this series, I discussed my two favorite post-impressionist artists: Cezanne and Van Gogh. I should now step back a generation to the impressionists themselves, […]
Read more >>Goya and Manet One of the great contributions that Manet made to the development of the art of the last 150 years is to promote the idea that art is […]
Read more >>In my first “Favorite Artists” blog post on Cezanne I touched on Van Gogh, making a comparison between self-portraits by the two artists. Since Van Gogh is also a big […]
Read more >>Industrialization and Ambivalence in 19th Century Art Nineteenth century attitudes toward the juggernaut of industrial and technological progress, as reflected in the arts, is a vast subject, not to be […]
Read more >>The reconciliation of surface and solid form I will begin my blog series on favorite artists with Cezanne because, on balance, he is my #1 favorite. Really being turned on […]
Read more >>The Varieties of English Naturalism When we think of the naturalistic tradition in English landscape painting at the beginning of the 19th century we immediately think of the work of […]
Read more >>Finding Needles in the Haystack of Nature When working from nature on a two-dimensional surface, it is fair to say that the translation of three dimensions to two is the […]
Read more >>The period of the French revolution was one when painting and theater had an extraordinary influence on the thoughts and feelings of contemporaries.
Read more >>Cornering the Will-o-the-Wisp In an earlier post, about why I am out here in the sun, rain and snow, I said that the primary reason was because my painting enterprise […]
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